(As of posting this, at least 13,000 people have been killed in the Philippines under Operation Tokhang, including minors, children and infants, most of them from low-income residential communities.)
Like a blunt knife falling,
the way uncertainty is torture
and torture is death
suspended from a string,
the layers that stand
between the heart and the blade,
night falls again on those uncertain streets.
Spirits crouch in fear with strained ears
where they had taught themselves
to fall asleep on empty stomachs.
These nights they listen for sounds of the end,
ominous gap in the arid hush,
the brief commotion of a will ensnared
like a helpless bird in the span
of a final intake of breath,
the screech of tires and the spending of bullets
ripping open the telling silence,
having brushed against the possibility of it
so many times they’d recognize the air
in its lungs as it starts dropping names
in the dead of night.
These nights they toss and turn on beds
of the nails intended for their own coffins
with cold palms pressed against the grimy walls
wondering how many hours they have left,
touching the inert limbs of their children
to check if they are still breathing.
Too late to dream, too late now
to hold the stillborn promise of change.
Too futile to change.
And in the mornings they rise
on nerves with burnt off edges
and inhale from the stench the tattered stories
of those who have been purged the night before.
An ounce of weeping, quickly drowned out
by too many empty words. A sustained
cacophony of secondhand rage.
Tell themselves it’s just ulcer from hunger.
And death will come anyway, one way or another.
(The streets have never been safer.)
July 23, 2016 photo of Jennilyn Olayres and Michael Siaron
by photographer Raffy Lerma for the Philippine Daily Inquirer